

138
139
69
MAJESTIC VISHNU
TAMIL NADU, CIRCA 12
TH
CENTURY
Granite
87 in (221 cm) high
Rs 2,00,00,000 ‒ 3,00,00,000
$ 298,510 - 447,765
NON‒EXPORTABLE REGISTERED ANTIQUITY
PROVENANCE
Private Collection, Mumbai
The Trinity of Brahma, Vishnu and Shiva gain the high
estimportance in the Hindu pantheon. “As the Preserv
er,Vishnu is responsible for maintaining balance, combati
ngthe forces of chaos, and ensuring that heaven and ear
thcontinue to progress on their preordained course... Vish
nuis first and foremost a saviour, sweeping down from
hislofty abode to bring peace and balance to a beleaguer
edearth.” (Joan Cummins ed.,
Vishnu: Hinduism’s Blue‒Skinn
edSaviour
, Ahmedabad: Mapin Publishing, 2011, pp. 12‒13
)This majestic Vishnu stands with both feet firmly on t
heground, and his left arm resting lightly on his hip. In his t
woupper hands, he holds his attributes, the
shanka
(conch),
itssound being a symbol of creation, and the
chakra
(disc
us),the ultimate weapon with which he guards the univer
se.The crown on his head denotes kingship. Around his ne
ckis the celestial Vaijayanti
mala
, and the
kaustubh
adorns
hischest. His expression is serene, befitting his stature.
Thismonumental Chola sculpture is hewn out of granite.
“InTamil Nadu, as elsewhere, the underlying basis of scoopi
ngrocks, or carving relief sculptures, was that every sto
ne,boulder or rock had cosmic vitalities running through
it...If these energies could be shaped into the forms of go
dsand goddesses, it was only to consecrate so much spa
ce,recovered from the elements... Under the Cholas, the rel
iefsculptures are emphasised as emergent gods and goddess
es,and the almost three‒dimensional figure appears, in hig
hlyskilled workmanship, comparable in its achievements,
tothe finest sculptures of the then contemporaries of t
heDeccan.” (Mulk Raj Anand ed.,
Splendours of Tamil Na
du ,Bombay: Marg Publications, 1980, p. 74)