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138

1

39

69

MAJESTIC VISHNU

TAMIL NADU, CIRCA 12

TH

CENTURY

Granite

87 in (221 cm) high

Rs 2,00,00,000 ‒ 3,00,00,000

$ 298,510 - 447,765

NON‒EXPORTABLE REGISTERED ANTIQUITY

PROVENANCE

Private Collection, Mumbai

The Trinity of Brahma, Vishnu and Shiva gain the high

est

importance in the Hindu pantheon. “As the Preserv

er,

Vishnu is responsible for maintaining balance, combati

ng

the forces of chaos, and ensuring that heaven and ear

th

continue to progress on their preordained course... Vish

nu

is first and foremost a saviour, sweeping down from

his

lofty abode to bring peace and balance to a beleaguer

ed

earth.” (Joan Cummins ed.,

Vishnu: Hinduism’s Blue‒Skinn

ed

Saviour

, Ahmedabad: Mapin Publishing, 2011, pp. 12‒13

)

This majestic Vishnu stands with both feet firmly on t

he

ground, and his left arm resting lightly on his hip. In his t

wo

upper hands, he holds his attributes, the

shanka

(conch),

its

sound being a symbol of creation, and the

chakra

(disc

us),

the ultimate weapon with which he guards the univer

se.

The crown on his head denotes kingship. Around his ne

ck

is the celestial Vaijayanti

mala

, and the

kaustubh

adorns

his

chest. His expression is serene, befitting his stature.

Thismonumental Chola sculpture is hewn out of granite.

“In

Tamil Nadu, as elsewhere, the underlying basis of scoopi

ng

rocks, or carving relief sculptures, was that every sto

ne,

boulder or rock had cosmic vitalities running through

it...

If these energies could be shaped into the forms of go

ds

and goddesses, it was only to consecrate so much spa

ce,

recovered from the elements... Under the Cholas, the rel

ief

sculptures are emphasised as emergent gods and goddess

es,

and the almost three‒dimensional figure appears, in hig

hly

skilled workmanship, comparable in its achievements,

to

the finest sculptures of the then contemporaries of t

he

Deccan.” (Mulk Raj Anand ed.,

Splendours of Tamil Na

du ,

Bombay: Marg Publications, 1980, p. 74)