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6

SADANAND BAKRE

(1920 ‒ 2007)

Untitled

Signed ‘Bakre’, signed again and dated

in Devnagari (lower left); inscribed ‘S. K.

BAKRE’ and signed and dated again in

Devnagari (on the reverse)

1962

Oil on canvas

21.75 x 17.5 in (55 x 44.7 cm)

Rs 2,00,000 ‒ 3,00,000

$ 2,990 ‒ 4,480

7

SADANAND BAKRE

(1920 ‒ 2007)

Untitled

Inscribed ‘S. K. BAKRE’ and signed and

dated in Devnagari (on the reverse)

1962

Oil on canvas

11.75 x 14.5 in (30 x 37 cm)

Rs 2,00,000 ‒ 3,00,000

$ 2,990 ‒ 4,480

PROVENANCE:

Collection of Mr. and Mrs. A Witherick

Private Collection, London

Private Collection, North India

8

SADANAND BAKRE

(1920 ‒ 2007)

Untitled

Signed ‘Bakre’, signed again and dated in

Devnagari (lower right); inscribed ‘S. K.

BAKRE’ and signed and dated again in

Devnagari (on the reverse)

1962

Oil on canvas

17.25 x 21.75 in (44 x 55 cm)

Rs 2,00,000 ‒ 3,00,000

$ 2,990 ‒ 4,480

PROVENANCE:

Acquired directly from the artist

Private Collection, Barcelona

Private Collection, North India

Born in 1920 in Baroda, Sadanand

Bakre was among the least known

of the members of the Progressive

Artists’ Group. He was a graduate of

the Sir J J School of Art in Mumbai,

where he studied sculpture. His

talent was recognised and he was

encouraged to excel in his art by

many, including the leading art critic

Rudy von Leyden, who introduced

him to the modernist movements

in America and Europe. Like many of

his generation, Bakre’s development

as an artist followed the trajectory

of moving from academic realism to

abstraction, in his paintings as well

as his sculptures.

The decade of the 1960s was one

which saw the evolution of Bakre’s

vocabulary and style. From “spiky

forms,” he had, by the late 60s,

moved to more simplified forms

and his interest in structure becomes

apparent, as seen in lots 6, 7 and 8.

Bright colours are balanced with

flat white planes that focus on the

architecture in the city or landscape.

Walls, domes, roofs and the land are

all composed with bold geometric

lines that suggest a cubist sensibility.

Bakre’s paintings and sculptures

were shown and appreciated

at several significant galleries

in Europe and Mumbai. After

time spent in Europe, the artist

eventually returned to India in

the 1980s and settled down in the

Konkan region of Maharashtra,

where he died in 2007.

SADANAND BAKRE

(1920‒2007)

6

7

8

Sadanand Bakre

Image courtesy of

artnewsnviews.com

PROVENANCE:

Acquired directly from the artist

Private Collection, Barcelona

Private Collection, North India