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64

65

Sakti Burman’s paintings often

evoke a surrealist feel, referencing

multiplicities of time and place.

The prominent female figure in

the present lot might draw from

16

th

century European art but the

weathered, fresco‒like technique

harks back to much earlier times.

Burman’s art drew extensively from

Hindu and European mythology,

as well as from the artist’s own

memories. Suggesting surrealism,

his paintings are populated by

humans, animals and cityscapes

that are dreamlike in appearance.

His defining oeuvre owes largely

to his technique of marbling,

which he arrived at after years of

experimentation. Burman travelled

to Italy in 1958 and his encounter

with the frescoes of Giotto, Piero

de la Francesca and Simone Martini

inspired him to assimilate their

monumentality and textures in his

works. Critic Kishore Singh suggests

that Burman’s marbling technique

was serendipitous, observing that

“instead of just painting over [the

painting] once it had dried, he

continued to experiment, and

liked… the colouration this resulted

in, an ode to a passing age and a

sense of gentle ageing that suited

his sensibilities. The mural‒like effect

appeared first within the figures;

it would later become part of the

background as well.” (B N Goswamy,

Kishore Singh, Mrinal Ghosh eds.,

Sakti Burman: The Wonder of It All

,

Mumbai: Pundole Art Gallery and

Apparao Galleries, 2012, p. 49)

Burman in studio with present lot in background.

Reproduced from

Sakti Burman

, Paris: Imprimerie de Blayac, 1984

Burman at work on the present lot.

Reproduced from B N Goswamy, Kishore Singh, Mrinal

Ghosh eds.,

Sakti Burman: The Wonder of it All

, Mumbai:

Pundole Art Gallery and Chennai: Apparao Galleries,

2012, p. 18

32

SAKTI BURMAN

(b. 1935)

Le Miroir du Temps (Mirror of Time)

Signed and dated ‘SAKTi Burman’

(lower right)

Circa 1977‒1983

Oil on canvas

39.25 x 31.75 in (99.5 x 80.4 cm)

Rs 28,00,000 ‒ 32,00,000

$ 41,795 ‒ 47,765

PROVENANCE:

Private French Collection

Private Collection, New Delhi

PUBLISHED:

B N Goswamy, Kishore Singh, Mrinal

Ghosh eds.,

Sakti Burman: The Wonder

of it All

, Mumbai: Pundole Art Gallery;

Chennai: Apparao Art Galleries, 2012, p.

18 (illustrated)

Sakti Burman,

Paris: Imprimerie de

Blayac, 1984 (illustrated, unpaginated)