102-103 / 176
102
103
For a closely related painting of Ardhanareshwara, see Stella Kramrisch,
Manifestations of Shiva
, Philadelphia: Philadelphia
Museum of Art, 1981, p. 164
46
ADORATION OF HARIHARA
KANGRA, CIRCA 1820
Gouache on paper heightened with gold
Image: 7 x 8.75 in (17.8 x 22.7 cm)
Folio: 7.75 x 10.25 in (19.9 x 26.2 cm)
Rs 7,00,000 ‒ 9,00,000
$ 10,450 - 13,435
NON‒EXPORTABLE REGISTERED ANTIQUITY
PROVENANCE
Property from a Distinguished Family Collection
The concept of Harihara is an attempt to synthesise
the often opposing sects of Vishnu and Shiva. Here, the
artist has created a composite image with Laxmi and
Parvati on either side of Harihara. A personified Garuda
stands in supplication, while a standing Nandi licks the
foot of Shiva adding a humorous touch to the work.
The mountains to the right – the abode of Shiva, are
tinted by a magical light, while Vaikuntha – the abode of
Vishnu and Laxmi, is seen in the far distance. The bright
colours and beauty of the mountains, characteristic of
the Kangra school, are used to great effect to create this
wonderfully balanced composition.
Manjit Bawa depicts a bull in a style that is reminiscent
of miniature painting.
Manjit Bawa,
Untitled
, 1998
Saffronart, 8‒9 September 2010, lot 32